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Landfall

5/5

There are some bands who reach a point in their career where you can hear a song for only a few seconds and immediately know who it is. Wage War have firmly established themselves in that category. Across their career, they have built a sound that sits comfortably between crushing modern metalcore, huge melodic moments and the kind of chorus driven songwriting that can make a heavy record accessible without taking away from its aggression.

With Landfall, Wage War continue down that well established path, delivering an album that feels unmistakably like them. It is heavy when it needs to be, melodic when the songs call for it and perhaps most importantly, consistent throughout. Rather than attempting to completely reinvent what Wage War are, Landfall feels more like a continuation of everything that has made the band so successful while giving those familiar ingredients another opportunity to shine.

From the opening moments, there is very little doubt about what kind of record you are stepping into. The guitars carry the weight you would expect, the drums provide plenty of impact and the vocals move between aggression and melody with the sort of ease that has become a trademark of the band. There is a real sense of familiarity here, but that shouldn’t be mistaken for a lack of ambition.

In fact, that familiarity is one of Landfall’s biggest strengths.

For long time Wage War fans, there is plenty here that feels instantly recognisable. The band’s ability to combine genuinely heavy passages with soaring melodic sections remains at the centre of the songwriting. They understand that a great metalcore record doesn’t necessarily need to be relentlessly brutal from beginning to end. Sometimes the heaviest moment is made even more effective because it follows a huge melodic section and Wage War have always been particularly good at creating that contrast.

That balance is what keeps Landfall moving.

There are moments where the album leans heavily into the band’s more aggressive side, giving the listener those crushing guitar tones and vocal performances that will undoubtedly translate incredibly well into a live environment. Then, almost instinctively, Wage War know when to pull things back and allow the melodies to take over.

It is that push and pull between heaviness and melody that makes the album so easy to settle into.

And while Landfall certainly isn’t an album that is going to make you question whether you’re listening to Wage War, that’s not necessarily what it needs to do. There is something to be said for a band understanding what their audience comes to them for and continuing to deliver it at a high level. Wage War have developed a sound of their own and this record doesn’t shy away from that identity.

For newer listeners, that actually makes Landfall a particularly strong introduction to the band.

You don’t necessarily need to know the band’s previous albums to appreciate what they’re doing here. The melodic hooks give the songs an immediate accessibility, while the heavier sections provide enough bite for listeners who want something with a little more aggression. It’s an album that can appeal to someone who lives and breathes metalcore just as easily as someone who is only beginning to explore the genre.

That accessibility never feels like it comes at the expense of the heavier side of the band, either.

Wage War understand the importance of dynamics. A record filled entirely with breakdowns and screaming can eventually become predictable, just as an album that relies too heavily on melody can lose some of the intensity that initially attracted listeners to the genre. Landfall finds a comfortable middle ground between the two.

The result is a record that feels designed to be listened to as a whole.

There is enough variation within the songwriting to stop the album from becoming monotonous, but enough consistency to make it feel like a cohesive Wage War release rather than a collection of songs thrown together. The transitions between the heavier and more melodic sides of the band’s sound feel natural and that gives the album a flow that makes it particularly easy to put on and simply let play.

Vocally, the contrast remains one of the band’s strongest weapons. The harsher performances bring the necessary aggression, while the cleaner melodic moments provide the hooks that are likely to stick around long after the album has finished. It’s a formula Wage War have clearly become comfortable with but Landfall demonstrates why that formula works.

There is also a sense that this is an album built with the live environment in mind.

Wage War are a band whose music has always had the potential to become even bigger when performed in front of a crowd. Those massive melodic moments practically demand hundreds or thousands of voices singing along, while the heavier sections are built for pits, movement and sheer physical energy.

It wouldn’t be surprising to hear several of these songs become particularly strong moments in the band’s future live sets.

One of the most impressive things about Landfall is ultimately how uncomplicated it feels. Not uncomplicated in terms of songwriting but in terms of what the album wants to be. Wage War know their identity, they know their audience and they know how to write heavy music that still has enough melody to remain accessible.

There is no need to overthink it.

You press play, the guitars hit, the vocals come in and before long you’re completely settled into the world Wage War have created.

For existing fans, Landfall offers another opportunity to experience the characteristics that have made the band such an important name within modern metalcore. For newcomers, it works as a strong introduction to exactly what Wage War are capable of. That ability to cater to both audiences is perhaps one of the record’s biggest achievements.

It is heavy without being exhausting, melodic without becoming overly soft and familiar without feeling completely stagnant.

Ultimately, Landfall feels like Wage War doing what Wage War do best.

The band’s signature combination of crushing heaviness and soaring melody remains firmly intact and for anyone who has followed their journey, there is plenty here to enjoy. At the same time, the accessibility of the songwriting makes this a record that could easily bring new listeners into the fold.

Sometimes an album doesn’t need to completely reinvent the wheel.

Sometimes it simply needs to remind you why you liked the band in the first place.

Landfall does exactly that.

For Wage War fans old and new, this is a record that deserves to be given the time to play from beginning to end. Whether you’re looking for the heavier side of modern metalcore, the huge melodic moments or simply another album from a band who have established a sound that works, there is something here to sink your teeth into.

Wage War haven’t forgotten what makes them Wage War and Landfall is all the better for it.

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